Posts tagged ‘nathan bedford forrest’

February 17, 2011 “A Tree Falls in Nathan Bedford’s Forrest”

In his debut column at, the editors there allow Cole Coonce to ruminate on the Sons of Confederacy’s proposal to have the State of Mississippi issue license plates sporting the likeness of Nathan Bedford Forrest.

The controversy? It might be based on Forrest’s penchant for slave-trading, genocidal battle tactics and an induction as leader of that lil’ ol’ social club known as the Klan.


Coonce has penned The Devil’s Own Day, a historical novel about Forrest, and his relationship to both Erwin Rommel and the delta blues.

Read it here: A Tree Falls in Nathan Bedford’s Forrest and the Mississippi Department of Motor Vehicles Gets an Earful

And kudos to Brian Lohnes at for allowing Coonce to go free-form….

December 25, 2010

Get Stuffed this Xmas at The K-Bomb Kindle Store

Get an e-book reader stuffed in your stocking? Then motor over to the K-bomb Kindle Store and snag some electronic blasts of modern beat journalism designed for the fast, the inquisitive and the appalled.

At K-Bomb Publishing, among the new titles ready for your post-yuletide, orgiastic e-consumption are: The Devil’s Own Day, Cole Coonce’s time-twisting, meta-fiction mash-up of Erwin Rommel, Mississippi delta blues and Nathan Bedford Forrest: Sex & Travel & Vestiges of Metallic Fragments, a collection of Cole Coonce essays on sundry scenarios such as Teutonic milfs, atomic cars on fire, Manson girls  in Death Valley, Hurricane Katrina, and caviar-looting punk-rock chicks;  as well as Come Down from the Hills and Make My Baby, Coonce’s memoir of sex, drugs, drum machines and riots during the dawn of Los Angeles’ Infotainment Age.

So fire up your Kindle, hit and get stuffed!

December 14, 2010

The Devil’s Own Day: Meta-Fiction Mash Up of Rommel, Delta Blues and Nathan Bedford Forrest


K-Bomb CentCom, Los Angeles, CA—While ignoring the mores and delicate dictates of the modern world, K-Bomb Publishing is elated to announce the release of The Devil’s Own Day, Cole Coonce‘s literary mash-up that blends the lives and careers of Nazi Field Marshall Erwin Rommel, delta-blues harpist George Dobson and Confederate General Nathan Bedford Forrest.

Set in Berlin, Memphis and Tupelo in both the 1860s and 1930s, this is a time-shifting story of three anti-heroes and how their respective crises of conscience influence not only each other but the course of history. Indeed, The Devil’s Own Day serves as a character study that asks the question: Are some actions beyond redemption?

Moreover, are attempts at redemption not only futile, but self-defeating? These are some of the moral and intellectual challenges presented to Rommel by Dobson, a senescent Negro Confederate volunteer cum blues musician, who is hired by the Nazi as a guide for touring Civil War battlefields. Rommel, who is gathering information to formulating future battle plans for an imminent war under the employ of the Third Reich, finds himself exhausted by his travel companion’s incessant and seemingly insipid blues warblings during their road trip through the sticky boondocks of Mississippi, in a journey that can only compared to Driving Miss Daisy meets Triumph of the Will.

Indeed, while stuck in the Lincoln touring car with the blues musician, the German is constantly confronted with seemingly primitive songs whose verses pose pointed philosophical interrogatives such as: Are we all in bondage and serving an innately-evil master? Merely good soldiers following orders? When does when one sacrifice everything in order to take a stand against the untenable? And are a man’s flawed decisions really the fault of women?

Whatever the answers posited by The Devil’s Own Day, K-Bomb Publishing doubts the timeless philosophical conundrum will get explored on Oprah’s book club any time soon.

Copies can be found on Amazon, in both paperback and Kindle versions, as well as at Stories in Los Angeles. -Emil Bustello, c/o Emil Bustello MetaFlack Public Relations-

April 6, 2010


(excerpted from Cole Coonce‘s forthcoming novel, THE DEVIL’S OWN DAY)

artwork by Jack Logan

IN SHILOH, TENNESSEE, the night was a muted grey and the murkiness made it difficult to visualize the aftermath of the first day of a fierce battle. The smoke of artillery and muskets wafted slowly and fought with the gloom of a steady rain. The sound of the heavy drizzle underscored the sporadic sotto voce moans of the wounded and slowly dying. A chorus of animal grunts created a disturbing, bestial rhythm. Lightning cracked and thunder boomed and the brief rod of light cast a glimpse of the carnage and suffering.

The whistle of artillery would follow a distant, muffled boom of cannon. The whistle would get louder and change pitch as it approached its target. A brief blast of light flashed as the artillery hit the battlefield. As dirt, turf and human limbs flew into the air, wild hogs squealed and stopped their feeding on the dead and ran away from the point of impact. As the black of night consumed the dying vestiges of light, the hogs resumed squealing, grunting and fighting each other over human flesh.

Under an oak tree next to cloth tents stood two Generals of the Union’s high command. Ulysses S. Grant and William Tecumseh Sherman smoked cigars and listened to rain amidst the sporadic shelling.

“Well Grant,” Sherman proffered, “we’ve had the devil’s own day, haven’t we?

Grant puffed on his cigar and thought for a moment. “Yep,” he answered. “Lick ‘em tomorrow though.”

Across the battlefield, next to captured Union cloth tents that have now become a Confederate camp, Nathan Bedford Forrest entered the quarters of General Bragg, who is in council with two Generals of the CSA high command. Bragg—a stiff angular man with crow’s eyes flanked by straw hair and thick, wiry muttonchops—smoked and listened to the same rain and sporadic shelling that interrupted Sherman and Grant.

“General Bragg,” Forrest said. “I have been to the river and I have seen Grant receiving troops at the landing.”

“Colonel Forrest,” Bragg wondered. “On whose authority did you go forth on your little scouting mission?”

Forrest was flummoxed. “Authority?”

“Yes, authority. Johnston is dead, so it couldn’t have been him. Beauregard perhaps?”

“No suh,” Forrest answered. “I have been looking for Beauregard to tell him about the arrival of the Union troops, but…”

“It is not your place to tell your superiors anything,” Bragg scolded. “I am your commanding officer, Colonel Forrest.”

“Yes suh. But Beauregard must know that if’n we don’t keep up the skeer into the night, they’re gonna whip us tomorruh’.”

“Colonel Forrest, if there is anything to tell Beauregard, I will tell Beauregard.”

Forrest is livid. “If the enemy come on us in the morning,” he seethed, “we will be whipped like hell.”

Bragg dismissed Forrest with a wave of the hand.

“Suh!” a startled Forrest protested. “I did not lead my men into battle to surrender!”

In the morning battle began again, along green, rolling hills lined with magnolia, oak and pine trees, in a clearing known as Fallen Timbers. As an ineffectual Confederate artillery squad struggled to fire a shot, much less find its target, a slightly chaotic cavalry charge is in full effect. A ragtag ensemble of Southern horsemen galloped in the shadow of Nathan Bedford Forrest. The cavalry riders wore a motley assortment of clothes and uniforms, mostly gray and sundry earth tones whose unifying feature was a distinct lack of anything blue. Saber out, Forrest stood tall out of the saddle and led the charge.

From an adjacent ridge General Sherman watched Forrest outrun his support. “He’s attacking without any artillery support. That half-cocked Secessionist sonofabitch is either fearless or has bats in the belfry.”

Forrest twisted his torso towards his trailing cavalry and shouted, “Put the skeer in ‘em! Keep up the skeer!”

Amidst the growing voluminous smoke from a repetitive barrage of Yankee musket volleys, confederate soldiers pulled back on the reins of their mounts or are knocked off by the impact of gunfire. Oblivious to the carnage and the cowardice of his own troops, Forrest leaned forward and vaulted over the detritus of fallen timbers that served as earthworks for the Yankee infantry.

Forrest was in hostile territory. Alone. He had no cover fire from cannons. He had outrun his own troops. The Federal infantry was stunned at its good fortune, as it had a Confederate Lieutenant General within close range. They began to shoot at Forrest, and the adrenaline-charged barrage of close range musket fire created even more confusion. Forrest and his horse were both hit by Minié balls, Forrest in the left hip, and the force of the explosion momentarily lifted Forrest out of the saddle.

A startled union soldier shouted as he reloaded his musket, “Kill ‘im! Kill ‘im!”

Another union soldier joined the chorus, firing, reloading and shouting, “Kill the goddamn rebel! Kill ‘im!”

Forrest fought for control of his horse, tugged on the reins and turned the horse around. He cleared a path amidst the mass of dark blue-clad enemy soldiers with his saber, and reached down and grabbed one of the soldiers by the collar, swinging him onto the rear of the horse. The hapless Yankee soldier became a human shield, and recoiled from a friendly fusillade of Minié balls. Forrest and his quarry galloped over the fallen timbers back towards safety. Out of range, Forrest let go of the dying bluecoat and trotted on up to a ridge where his stunned men watched with their jaws dropped. Among the witnesses was a young Negro, who had read Forrest’s advertisement in the Memphis paper and heeded its call for volunteers, signing up as a blacksmith.

Forrest’s eyes were ablaze and saliva streamed from his lips. “Goddammit!” he shouted. “War means fighting, and fighting means killing. I will never ask you to fight anywhere I would not fight myself! Now if you follow me boys, I will always lead you to glory!”

The colored blacksmith asked Forrest for permission to check his wounded animal’s shoes. During the examination, the bleeding horse made a pained whine. The two men locked eyes, briefly. There was a flash of recognition as Forrest realized where he has seen this colored boy before. Forrest brushed Young Dobson aside and galloped off.-30-